Staff Research Output

Research is a systematic investigation of some aspect of thought or reality which leads to transferable knowledge. 
In artistic research, this knowledge, embedded in compositional or performative work, may be expressed through diverse media, including but not confined to written text.

Richard Barrett

19 October 2013: keynote at conference “Notation in Contemporary Music”, Goldsmiths College, University of London (paper “Notation as Liberation” subsequently published in TEMPO music quarterly).

25 April 2014: presentation at “Musical Practices: Continuities and Transitions”, Department of Musicology, University of the Arts, Belgrade.

15 May 2014: participation in panel of composers at Classical:NEXT conference, Vienna.

19 May 2014: presentation at postgraduate research conference, Leeds University.

15 May 2015: presentation at symposium on Dick Raaijmakers, Dag in de Branding (Korzo Theater), Den Haag.

12 September 2015: participation in symposium on electronic music composition, Gifu, Japan.

September 2015: Richard Barrett and Arne Deforce, “Dialogue on life-form for Cello and Electronics” in A Laboratory for Sonology, ed. Kees Tazelaar  (The Hague: Royal Conservatoire Publications).

30 September 2016: presentation to composition class at Strasbourg Conservatoire.

27 February – 1 March 2017: classes on composition with electronics at IRCAM, Paris.

November 2017: classes and workshops at CalArts, Valencia, CA., and University of Minnesota, Minneapolis.

January 2018: awarded PhD by University of Leeds for the thesis “Music of Possibility”.

March 2018: chapter in K. Coessens (ed.), Experimental Encounters in Music and Beyond. (Leuven University Press, 2018).

July 2018: Gottfried Michael Koenig, Process and Form: Selected Writings on Music, ed. Kees Tazelaar, trans. Richard Barrett (Hofheim: Wolke Verlag, 2018).

March 2019: Music of Possibility published in book form (Chipping Norton: Vision Edition, 2019).

June 2019: chapter in I. Pace and N. McBride (eds), Critical Perspectives on the Music of Michael Finnissy: Bright Futures, Dark Pasts. (London: Routledge, 2019).

January 2019: “A year in the life of the Sonology Electroacoustic Ensemble”, report on research supported by the lectorate “Music, Education and Society”, research group “Making in Music”, Royal Conservatoire The Hague https://www.researchcatalogue.net/view/800019/800020

April 2019: lecture on composition, University of Huddersfield.

October 2019: lectures and workshops at Royal Northern College of Music, University of Leeds, University of York.

December 2019: lectures and workshop at Conservatorio Cesare Pollini, Padova.

April 2020: chapter in S. Kanach, L. Brümmer and P. Weibel (eds.), From Xenakis’s UPIC to Graphic Notation Today (Karlsruhe: ZKM, 2020).

Justin Bennett

2013
Symposium ‘Vertiges et mythes du périurbain’, La Maison Rouge, Paris.

Artist talk during Hors-Pistes video festival, Centre Georges Pompidou, Paris

2014
Presentation during Audio-Mobility symposium at Locus Sonus, Aix-en-Provence, France.

2015
Presentation and panel discussion on audio-visual artist’s initiatives. Temporary Gallery, Cologne.

“Doing Sounding Exchanging Thinking” symposium Stichting B.a.d. Rotterdam.

Audio-Mobility, article on audio-walks in Wi: Journal of Mobile Media vol. 9 no. 2.

2016
Presentation “Writing Sound Art” during International Conference on Artistic Research, Den Haag.

Presentations during Dark Ecology Journey (Norway / Russia) 2016.

“Vilgiskoddeoayvinyarvi…” in Living Earth, Field Notes from the Dark Ecology Project, Sonic Acts Press 2016.

2017
“Electro-acoustic Ecology: sound, environment, and technology” symposium, Quartair, Den Haag.

Various presentations during an extended artist-in-residence period at Overtoon, Brussels.

Co-curator of Sonic West, a sound art / community project of Soundtrackcity in Amsterdam.

2018
Lecture during Artefact festival, STUK, Leuven, Belgium.

“Geologic Imagination” artist talk during exhibition at Terminal B, Kirkenes, Norway.

Lecture (and concert) during New Music Encounters Plus at the Janáček Academy of Music and Performing Arts in Brno.

Justin Bennett is a founding member of Jubilee, platform for artistic research in Brussels.

2019
“Siren Song” text with images published in “The Middle Matter – sound as interstice” Q-O2 Brussels.

Lecture “Public Space as Acoustic Territory” at Media Art Histories conference Re:Sound, Aalborg, Denmark.

“Multiplicity – a spectral analysis of Brussels” audio walk, Q-O2, Brussels.

“Central Imaginary District” audio walk, Rewire festival, Den Haag.

Raviv Ganchrow

International Research Networks:

2016        
Network Member of Listening Across Disciplines, run by Dr. Salomé Voegelin (PI), Reader in Sound Arts at the London College of Communication, UAL, and Co-I Dr. Anna Barney, Professor in Biomedical Acoustic Engineering at Southampton University, UK.                

Anechoic chamber research in Dr. Viktoria Tkaczyk’s ‘Epistems of Modern Acoustics’ group at the Max Planck Institute for the History of Science, Berlin, DE.

Publications and Media:

2017        
“Padded Sounds: The Latent Aurality of Anechoic Chambers”, ed. Sabine von Fischer and Olga Touloumi, The Journal of Architecture, Royal Institute of British Architects, London, UK.

“Sound Attention”, interview with Ariane Willson in Listen! Sound worlds from body to city, Cambridge Scholars Publishing, Newcastle upon Tyne, UK.

“Sirens Taken for Wonder”, Book contribution, Princeton Architectural Press.

2016        
“Latent Image”, catalogue text, Michaela Frühwirth, ROMA Publications, Amsterdam, NL.

“Long-Wave Synthesis, Field Notes from the Dark Ecology Project, 2014–2016”, Sonic Acts Press, Amsterdam, NL.

2015        
“Long Wave Synthesis Commentary”, Friday Milk on-site interview, Sonic Acts, VIMEO online.

“Infrasounding”, public interview by Arie Altena and Lucas van der Velde, Sonic Acts book launch, de Balie, Amsterdam, NL, VIMEO online.

“On Long-Wave Synthesis, The Geologic Imagination”, Sonic Acts XVI, Sonic Acts Press, Amsterdam, NL.

Seminars and Workshops:

2017        
“Contextual Agency”, Centre for Research Architecture, Goldsmiths, University of London, London, UK.

2016        
Sounds Below Sea-Level, workshop, Bezalel Academy of Arts and Design, Ein-Gedi, Dead Sea, IL.

2014
“Urban Modes of Listening”, seminar, Recomposing The City, Institute for Collaborative Research in the Humanities at Queen’s University Belfast, seminar leader.

“Hearing Building”, workshop & seminar in collaboration with RWTH Aachen, Hörstadt Bonn, Bonn, DE.

“Sound Signatures”, Sound Studies Winter School, coordinators Carolyn Birdsall, Myles Jackson, Mara Mills and Viktoria Tkaczyk, New York University, Max Planck Institute for the History of Science Berlin and Amsterdam University (NICA), Amsterdam, NL, seminar presenter.

Invited Talks and Presentations:

2016        
“Latent Aurality of Anechoic Chambers”, Sound and Sounding Art in Public Urban Spaces, Leiden University, NL.

“Ambient Subjectivity”, Modern Body Festival, I / We / They, Den Haag, NL.

“Auditory Contexts: Examining Sonic Spatiality in its Social, Historical and Ecological Orientations”, Sibelius Academy, University of the Arts Helsinki, Helsinki, FI.

“Context Dependent Transduction, Listening Across Disciplines”, Resonance FM radio broadcast, London, UK.

“Hearing Context”, part of Kunstonderwijs en onderzoek, Academy of Theatre and Dance, Amsterdam, NL.

“Context Refracted”, part of Listening Across Disciplines, LLC, London, UK.

“Anechoic Latent Aurality”, Max Planck Institute for the History of Science, Berlin, DE.

“Hearing Spaces”, Delft University of Technology, School of Architecture, Public Building lecture series, Delft, NL.

2015        
“Spatial Refraction: Addressing the ‘Where'” in Radio, Bending Baroque, The Orgelpark, Amsterdam, NL.

“Imaging Fate”, Keynote talk, PSI#21 Fluid States Aural Lighthouses, Sontozium Museum, Santorini, GR.

“In the Company of Long-Waves”, The Geological Imagination, Sonic Acts, Amsterdam, NL.

2014        
“Urban Modes of Listening”, invited seminar, Sonic Arts Research Centre, Queen’s University, Belfast, IR.

“Electric Audio in Context”, symposium 50 Years of Electroacoustic and Computer Music Education, Institute of Sonology, University of the Arts, The Hague, NL.

“Sited Listening”, Keynote talk, part of Hörstadt Bonn, Bonn, DE.

“On Long-Waves”, Performative Lecture, Kirkenes, NO.

Sited Listening, Sound Signatures, University of Amsterdam / NYU / Max Planck Institute for the History of Science, Berlin, Amsterdam, NL.

Bjarni Gunnarsson

Artistic research presentation ‘Translation, traces and intervention’
Music, Humans and Machines (ODC 2019)
March 21, 2019 until March 22, 2019
Orpheus Institute (Ghent, Belgium)

Lecture ‘Synthetic environments and compositional context’
Music, Humans and Machines (ODC 2019)
May 22, 2019 until May 23, 2019
Orpheus Institute (Ghent, Belgium)

Interrupts and Intervention (KC Research group 2017–2018) https://www.researchcatalogue.net/view/543155/543156

Context and Scope (KC Research group 2017–2018)
https://www.researchcatalogue.net/view/540350/540351

04-07.07.2018: Sound and Music Computing 2018 (SMC18). Presented a paper (Block-based scheduling through interrupts and intervention) + piece (Prisme).

02.07.2018: Artistic research presentation (‘Command and Autonomy’) at the ARC (art_research_convergence) kick-off of the season 2018. Leiden University.

07.05.2016: Lecture on the creation of Paths + Masterclass, at Segnali 2016 festival, Perugia, Italy.

14-.23.03.2016: Umbreyting hljóða / Sound Transformation. One-week workshop + lecture. Listaháskóli Íslands. Icelandic Academy of Art. 

Peter Pabon

P. Pabon, R. Stallinga, M. Södersten, S. Ternström: Effects on vocal range and voice quality of singing voice training; the classically trained female voice. J. Voice 28 (2014), 36–51. 
[http://www.jvoice.org/article/S0892-1997(13)00107-0/abstract]

S. Ternström  P. Pabon, R. Stallinga, M. Södersten: The Voice Range Profile: Its Function, Applications, Pitfalls and Potential. Acta Acustica united with Acustica, Vol. 102 (2016), 268–283. 
[http://www.ingentaconnect.com/content/dav/aaua/2016/00000102/00000002/art00010]

P. Pabon: Voice Range Profile based voice quality feedback. In: Future Perspectives: Handbook of Singing, Oxford University Press. [In Press, to appear 2016]. 
[http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199660773.001.0001/oxfordhb-9780199660773]

P. Pabon & So, Oishi, Additive Synthesis with Band-Limited Oscillator Sections. Proceedings of the International Computer Music Conference ICMC, Utrecht (2016), 22–16. [https://www.openconf.org/icmc2016/papers/modules/request.phpmodule=oc_program&action=program.php&p=program]

Pabon, P., Howard, D., Ternström, S., Kob, M., & Eckel, G. (2017) Future Perspectives. The Oxford Handbook of Singing. Edited by Graham Welch, David M. Howard, and John Nix. DOI: 10.1093/oxfordhb/9780199660773.013.67

Pabon, P. Mapping Individual Voice Quality over the Voice Range – the Measurement Paradigm of the Voice Range Profile. Thesis. October 2018, Stockholm, KTH, School of Electrical Engineering and Computer Science (EECS), Speech, Music and Hearing. [http://kth.diva-portal.org/smash/record.jsf?pid=diva2%3A1253755&dswid=-5666]

Ternström, S. Pabon, P. Accounting for Variability over the Voice Range. Proceedings of the 23rd International Congress on Acoustics : integrating 4th EAA Euroregio 2019 : 9-13 September 2019 in Aachen, Germany / proceedings editors: Martin Ochmann, Michael Vorländer, Janina Fels. DOI: 10.18154/RWTH-CONV-239753

Pabon P, Ternström S. Feature maps of the acoustic spectrum of the voice. J. Voice 34(1) (2020), P161.E1-161.E26. [https://doi.org/10.1016/j.jvoice.2018.08.014]

Coauthored

Jeyong Jung, Peter Pabon, Graham Flett: The Paradox of Random Order. Proceedings of the International Computer Music Conference ICMC, Utrecht (2016), 586–589.

Conference participations

K.Bell, D Meyer & P. Pabon, Correlational Study of Laryngopharyngeal Reflux Symptomology and the Voice Range Profile in Singers, Phyladelphia 2015. M27. 
[http://voicefoundation.org/wp-content/uploads/2014/07/4-2015-Abstracts.pdf]

P. Pabon: Where is the Singer’s Formant When the Level Goes Down?
Free paper session, FP S1 at PEVOC/MAVEBA, Florence, August 2015

P. Pabon, J.A. Snelleman, R. Rachelle: Overtone Singing: Selection by Amplification or by Damping? Is a Flow Modulation Mechanism Involved? Free paper session, FP S1 at PEVOC/MAVEBA Florence, August 2015 
[http://pevoc-maveba.dinfo.unifi.it/free-papers-pevoc/]

Pabon J.P.H. : Real-time Singing Voice Synthesis With Physical Models, 
Si 16 > W 32. Workshop at the PEVOC/MAVEBA Florence, August 2015 
[http://pevoc-maveba.dinfo.unifi.it/workshops-pevoc-11/]

Ternström Sten, Moisik Scott, Pabon Peter, Howard David: Future Directions for the Virtual Voice. Round table session with individual presentations at PEVOC/MAVEBA Florence, August 2015 
[http://pevoc-maveba.dinfo.unifi.it/round-tables/]

P. Pabon: Digital Voice Synthesis: Catching the “Grain” of the Voice; the Search for Acoustic Textures and Patterns that Make a Voice Unique.
The Art of Voice Synthesis, Symposium, 11–13 May 2016, Amsterdam, 
[http://www.artificialvoice.nl/programme.html]

Pabon, P. and Ternström, S. Voice Spectrum Variation Across the Voice Range, Differentiated by Phonation Type. Care of the professional Voice, 46nd Symposium, Philadelphia, USA May 31–June 4, 2017.

Pabon, P. Voice Range Profiles of Voice Models. Pan European Voice Conference (12), Ghent, Belgium, Aug 30–Sept 1, 2017.

Pabon, P. Het meten van kwaliteit van de individuele stem; een zaak van de logopedist. NVLF Jaarcongres. 30 November 2018, Nieuwegein. 

Pabon, P. Spelend met klank leer je spelend wiskunde. Lezing bij de Nationale Wiskundedagen, 1 en 2 Februari 2019, Eindhoven.

Pabon, P. & de Moor, G. Big data on one voice. Pan European Voice Conference (PEVOC-13) 2019. Copenhagen, Denmark, August 27–30. 

Ternström, S. Pabon, P. Accounting for Variability over the Voice Range. Proceedings of the 23rd International Congress on Acoustics : integrating 4th EAA Euroregio 2019 : 9-13 September 2019 in Aachen, Germany / proceedings editors: Martin Ochmann, Michael Vorländer, Janina Fels. DOI: 10.18154/RWTH-CONV-239753

Popup Voice Science Coffee Breaks (PVSCB), A series of informal online seminars in the spring and summer of 2020. https://www.kth.se/tmh/research/voice-science-popups-1.976261

-PVSCB #1 April 16, 2020 (World Voice Day) Accounting for variability over the voice range. Sten Ternström and Peter Pabon: (joint presentation).

-PVSCB #5 May 28, 2020, Round Table on Electroglottography. Updates on and experiences with the EGG.

Pabon P. The balloon in the box model; exponential factors in voice control, Proceedings (March 2020) of the 12th International Conference on Voice Physiology and Biomechanics (ICVPB), Nathalie Henrich Bernardoni & Lucie Bailly ed. p 69. (meeting originally scheduled for March 2020, postponed due to Corona, rescheduled to December 2–4, 2020). https://icvpb2020.sciencesconf.org

Gabriel Paiuk

2013
Publication 
“Tactility, Traces and Codes: Reassessing timbre in electronic media”, Article published in Organised Sound – An International Journal of Music and Technology, Cambridge University Press / Volume 18 / Special Issue 03 / December 2013, p. 306–313. https://doi.org/10.1017/S1355771813000289

Talk
“Media sound and the conditions of technology”
Talk within the Film-Philosophy PhD Seminar at the Amsterdam School of Cultural Analysis – Universiteit van Amsterdam – 1 March 2013.
http://asca.uva.nl/events/events/content/events/2013/01/gabriel.html

Talk
“Media sound and the conditions of technology”
Institute of Sonology day at conDIT/cheLA (Buenos Aires) 5 May 2013.
http://condit.org.ar/instituto-de-sonologia-en-argentina

Reading Group Participation
“Deleuze, Film-Philosophical Encounters” at UvA, coordinated by PhD Students Asli Ozgen-Tuncer and Nur Ozgenalp.
http://asca.uva.nl/research/magic-constellations/content/deleuze/deleuze.html

“Digital Materialities: tracing the digital”, coordinated by PhD candidates Melle Kromhout and Christian Olesen.
http://noiseidentities.tumblr.com/post/59097110399/new-reading-group-digital-materialities-tracing

Conference Participation
Film-Philosophy Conference 2013 Beyond Film, sponsored by the Amsterdam School for Cultural Analysis and EYE Film Institute Netherlands.
Organizing Committee: Prof. dr. Josef Früchtl, dr. Jay Hetrick, Prof. dr. Patricia Pisters, dr. Maria Poulaki, drs. Philipp Schmerheim (Amsterdam School for Cultural Analysis), Prof. dr. John Mullarkey (Kingston University, London) and dr. David Sorfa (Liverpool John Moores University).
http://film-philosophy.com/conference/index.php/conf/2013

PhD-Seminar participation 
Film-Philosophy PhD-Seminar “The Speculative Turn in Film and Digital Arts at the Amsterdam School of Cultural Analysis” – Universiteit van Amsterdam.
http://asca.uva.nl/phd/training-programme/asca/the-speculative-turn.html

2014
Winter school participation – Research Presentation
“Sound Signatures”, organised by NICA (Netherlands Institute for Cultural Analysis), NYU, NYU Steinhardt, Volkswagen Stiftung and the Max Planck Institute for the History of Science. NICA, Amsterdam, 13–17 January 2014.
http://soundsignatures.org

Reading Group Participation (2014–2015)
“Data Drive”, coordinated by PhD candidates Melle Kromhout and Geli Mademli.
http://asca.uva.nl/events/events/content/events/2014/10/data-drive.html

Conference Participation
“4M: Matter – Materials – Materiality – Materialism”, organized by Dr. Iris van der Tuin and Ann-Sophie Lehmann (New Media and Digital Culture, UU), funded by Aspasia, Netherlands Organisation for Scientific Research (NWO). 
http://news.hum.uu.nl/events/the-4m-events-matter-materials-materiality-materialism/

“Philosophy After Nature”, organised by The Society for European Philosophy and Forum for European Philosophy. Utrecht University, 3–5 September 2014.
philosophyafternature.org

2015
Lecture
Lecture at “Setting the Tone”, hosted by the HKU Lectoraat Performatieve Maakprocessen. 19 March, Utrechts Conservatorium.
http://www.hku.nl/Opleidingen/UtrechtsConservatorium/OverHKUUtrechtsConservatorium1/ToelichtingAgenda1/SettingTheTone5GabrielPaiuk.htm?utm_source=TripolisDialogue&utm_medium=email&utm_term&utm_content&utm_campaign=Muziek_Extern

Conference participation
“Sound Studies: Art, Experience, Politics” organised by CRASSH – Center for Research in the Arts, Social Sciences and Humanities, 8–10 July 2015, University of Cambridge, UK.
http://www.crassh.cam.ac.uk/events/25663

Paper presentation at Conference
“Deleuze’s Cinema Studies as a Model for a Problematising Sound Practice” at the Deleuze and Artistic Research Conference organised by the Orpheus Institute, 10 November, De Bijloke Rotonde, Ghent.
https://www.researchcatalogue.net/view/238335/238336
https://darkprecursor.org/about-dare-2015/

2016
Publication
“Thinking Sound through the Notion of the Time-Image. Deleuze’s Cinema Studies as a Model for Problematising Sound in Artistic Practice” in The Dark Precursor: Deleuze and Artistic Research, ed. by Paulo de Assis and Paolo Giudici – Volume I, Leuven: Leuven University Press 2017, pp. 152–158

Conference Participation
International Conference on Artistic Research The Hague 28–29 April 2016, Writing as practice – Practice as writing, within the sounding arts block. Organised by SAR.
http://www.sarconference2016.net/rc/index.html

PhD Trajectory
Start of doctoral trajectory hosted at the Academy of Creative and Performing Arts – Leiden University, under the supervision of Prof. dr. Julia Kursell, Prof. dr. Marcel Cobussen, Peter Ablinger and Prof. Frans de Ruiter.
https://www.universiteitleiden.nl/en/research/research-projects/humanities/composing-the-medial

2017
Publication
“Imagination, Perceptual Engagement and Sound Mediation. Thinking Technologically-Produced Sound Through Simondon’s Concept of the Image” in Kunstlicht Tijdschrift, issue Vol. 38, 2017, 4 – ‘Mediated Imaginations: Technologies Touching Upon Art.’ Ed. by Bas de Boer, Sam Edens and Jonne Hoek (Amsterdam: Vrije Universiteit), pp. 38–45

2018
Paper presentation
“Imagination, Perceptual Engagement and Sound Mediation. Thinking Technologically-Produced Sound Through Simondon’s Concept of the Image” at the International Conference on Human-Technology Relations: Postphenomenology and Philosophy of Technology, University of Twente, The Netherlands, July 11–13th,  2018

Publication 
“Imagen Sonora y Umbrales de Individuación” (in spanish)
Published in Reflexiones Marginales – Journal of the Department of Philosophy of the Universidad Nacional Autónoma de México, Vol. 48.
Accessible online at: https://2018.reflexionesmarginales.com/imagen-sonora-y-umbrales-de-individuacion/

2019
Symposium Chair
Chairman and curator of the international symposium “Transformations of the Audible”, The Hague May 16-18. More information: https://www.universiteitleiden.nl/binaries/content/assets/geesteswetenschappen/acpa/transformations-of-the-audible_booklet.pdf

Kees Tazelaar

May 2013: PhD defense Summa Cum Laude at the Technische Universität Berlin with the dissertation “On the Threshold of Beauty: Philips and the Origins of Electronic Music in the Netherlands 1925–1965”. (Supervisors: Stephan Wienzierl, Daniel Teruggi and Jan de Heer).

Summer Semester 2013: Edgard Varèse Guest Professorship for Computer Music at the Technische Universität Berlin.

November 2013: book release On the Threshold of Beauty: Philips and the Origins of Electronic Music in the Netherlands 1925–1965 (Rotterdam: V2_Instituut voor de instabiele media /  NAi Uitgevers).

January 2014: lecture at festival Club Trans Mediale 2014, Berlin.

March 2014: lecture at the Philips Museum, Eindhoven.

October 2014: member of PhD defense jury for Joan Riera’s dissertation “Spatial Hearing and Sound Perception in Musical Composition” at the University of Aveiro, Portugal.

November 2014: lecture at Philips Natuurkundig Laboratorium, Eindhoven.

November 2014: curator of the symposium 50 Years of Electroacoustic Music Education, Institute of Sonology / Royal Conservatoire, The Hague.

May 2015: curator of the Dick Raaijmakers Symposium in Korzo Theater, Dag in de Branding, The Hague.

June 2015: Nach Köln: Eine Auswahl aus Konrad Boehmers Memoiren, eds. Sander van Maas and Kees Tazelaar (Amsterdam: Konrad Boehmer Foundation).

September 2015: “The Installation of a Laboratory for Sonology: Gottfried Michael Koenig’s Pathway to the Netherlands” in A Laboratory for Sonology, ed. Kees Tazelaar (The Hague: Royal Conservatoire Publications).

October 2016: lecture “Electroacoustics and Music at Philips: From Mono to the Philips Pavilion” at the 51st International Musicological Colloquium, Masaryk University, Brno.

December 2016: curator of the symposium/festival Historically Informed Performance of Electroacoustic Music, Institute of Sonology / Royal Conservatoire, The Hague.

May 2017: book release Jan de Jeer & Kees Tazelaar: From Harmony to Chaos: Le Corbusier, Varèse, Xenakis and Le poème électronique (Amsterdam: 1001 Publishers, 2017).

May 2017: presentation in EYE Amsterdam of a new reconstruction of the multimedia show Le poème électronique, based on Le Corbusier’s original scenario (with Jan de Heer).

October 2017: lecture about and presentation of a new reconstruction of the multimedia show Le poème électronique, based on Le Corbusier’s original scenario (with Jan de Heer) at Baltan Laboratories, Eindhoven.

November 2017: lectures and masterclasses about the music of Gottfried Michael Koenig at Conservatorio Niccolò Paganini (Genoa) and Conservatorio Guiseppe Nicolini (Piacenza).

November 2017: lecture about and presentation of a new reconstruction of the multimedia show Le poème électronique, based on Le Corbusier’s original scenario (with Jan de Heer) at Casa Paganini (Genoa) and Conservatorio Guiseppe Nicolini (Piacenza).

July 2018: Gottfried Michael Koenig, Process and Form: Selected Writings on Music, ed. Kees Tazelaar, trans. Richard Barrett (Hofheim: Wolke Verlag, 2018).

November 2018: lecture about and presentation of a new reconstruction of the multimedia show Le poème électronique, based on Le Corbusier’s original scenario (with Jan de Heer) at festival Ars Musica, Brussels.

November 2018: lecture about and presentation of a new reconstruction of the multimedia show Le poème électronique, based on Le Corbusier’s original scenario (with Jan de Heer) at Concertgebouw Brugge.

March 2019: two lectures about composition of electroacoustic music and during the FAQ festival at Willem Twee, Den Bosch.

April 2019: lectures about the history and composition of electroacoustic music at the Conservatorio Cesare Pollini in Padova.

May 2019: lectures about the history and composition of electroacoustic music at the Brno University of Technology.

June 2019: lecture about and presentation of a new Wave Field Synthesis spatialisation of Xenakis’s Interlude Sonore for the Philips Pavilion, based on the original score (with Jan de Heer) at the Albanova festival in Bilzen.

2020: publication of “Walter Maas and the Contactorgaan Elektronische Muziek: A Lifeline for Electronic Music in the Netherlands” in 75 Years Gaudeamus: How the Unheard-of Comes to Unpredictable Life, eds. Henk Heuvelmans and Marisa Tempel. Utrecht: Stichting Gaudeamus Muziekweek.

2020: publication of “Tijd en ruimte in hedendaagse muziek” (time and space in contemporary music) in Een kleine muziekgeschiedenis van hier en nu, ed. Mark Delaere. Leuven: Matrix – Centrum voor nieuwe muziek.